Over het boek
Dolor XI is a healing-ground in print—an intimate and bold exploration of how pain births creativity. This April 2025 issue gathers voices, visuals, and visions that challenge convention and celebrate transformation through fashion, music, art, and personal truth.
This issue honors the collective brilliance of contributors and creators including:
Abel Kayode, Amar Preciado, Andrea Satore, Ante Emmanuel, Arkeem Johnson, Big Wig Photography, Brayan D’Silva, Chrystian Dennis, Darrel Hunter, Dondre Merren, Ebuka Mordi, Fantasy by SA, Henry Ladell Miner, House of Daffodil, House of Essien, Israel Ajibade, Jaelynn Rojas, Juliette Leonard, Maddox Bonsu, Madelyn Rivera, Marjan Taghipour, Mayowa Aderoj Aderoju, Mindun Beaute, Monica Montalvo, Safyna Brand, Samuel Ramos, Stephanie Salazar, Tadaaki Bonsu, Teddy Bonsu, Todora Photography, and Visuales de Vera’Sor.
This issue honors the collective brilliance of contributors and creators including:
Abel Kayode, Amar Preciado, Andrea Satore, Ante Emmanuel, Arkeem Johnson, Big Wig Photography, Brayan D’Silva, Chrystian Dennis, Darrel Hunter, Dondre Merren, Ebuka Mordi, Fantasy by SA, Henry Ladell Miner, House of Daffodil, House of Essien, Israel Ajibade, Jaelynn Rojas, Juliette Leonard, Maddox Bonsu, Madelyn Rivera, Marjan Taghipour, Mayowa Aderoj Aderoju, Mindun Beaute, Monica Montalvo, Safyna Brand, Samuel Ramos, Stephanie Salazar, Tadaaki Bonsu, Teddy Bonsu, Todora Photography, and Visuales de Vera’Sor.
Website van auteur
kenmerken / functionaliteiten & details
- Hoofdcategorie: Kunst & Fotografie
- Aanvullende categorieën Zelfhulp, New York
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Projectoptie: US Letter, 22×28 cm
Aantal pagina's: 32 - Datum publiceren: apr 07, 2025
- Taal English
- Trefwoorden dolor volume xi, dolor xi, dolor magazine xi
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Dolor Magazine
New York, NY
D O L O R is an ecosystem that connects creators, specializing in eliminating the stigma around feeling sad or showing vulnerabilities to build emotional resilience and self-care that prevent burnout. We want to bring artists closer together, making sure they have a chance to show what they are made of without the bias of how popular they are on social media or within the industry – its okay if it is a poetic visual not often accepted in society, if the work speaks volume, we want to see it!