PhOtoGRaPhS
LIGHT LIFE LENS LOST
door nicktepper
Dit is de prijs die uw klanten zien Prijslijst bewerken
Over het boek
a book of pictures juxtaposed to extrapolate interest, comment, question and concern from the viewer
all pictures are confrontational in nature and un-posed meaning they were there and their picture was taken in that moment, unplanned as it was
where there is beauty there is concern
when the light fills us it shows us who we are and
what we may become
and from whence we came
a photograph was born a billion years ago in a chemical reaction inside a distant star long dead but now living on through your eyes and the chemicals bounding inside your skull
so a photograph is just time travel through space
over and over and over again
tumbling tumbling
sad fleeting color gray scale wash adobe
peace silence film paper eyes gaze
where there is beauty there is concern
all pictures are confrontational in nature and un-posed meaning they were there and their picture was taken in that moment, unplanned as it was
where there is beauty there is concern
when the light fills us it shows us who we are and
what we may become
and from whence we came
a photograph was born a billion years ago in a chemical reaction inside a distant star long dead but now living on through your eyes and the chemicals bounding inside your skull
so a photograph is just time travel through space
over and over and over again
tumbling tumbling
sad fleeting color gray scale wash adobe
peace silence film paper eyes gaze
where there is beauty there is concern
kenmerken / functionaliteiten & details
- Hoofdcategorie: Kunst & Fotografie
-
Projectoptie: Klein vierkant, 18×18 cm
Aantal pagina's: 34 - Datum publiceren: nov 25, 2007
- Trefwoorden photography, portraiture, desolation, hope, light, photojournalism
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Over de maker
Nick Tepper
Los Angeles, CA
We are what we are when we are doing what we are doing. So when I am shooting pictures I'm a photographer. When I am sleeping I am a sleeper. When I take the Metro to my day job I am a commuter. Happily married photojournalist who thinks the camera is a time machine and silent historian without agenda or hands until held by the shooter and often not even then.